Don't have an account yet?
Sign up. It's free and takes five seconds.
· Cornel West excerpts from Examined Life, a 2008 documentary film directed by Astra Taylor. The film features eight influential contemporary ...
The Instructional Technology Center is located in "Old Link" which is the south side of Link Library. Our fall semester hours are 9:00 - 6:00, Monday through Thursday and 9:00 - 5:00 on Friday. If you need any help with using a video camera or editing software, we will assist you. The computer lab in Link 132 has Adobe Creative Cloud, which includes Photoshop and Premiere Pro.
Don Ihde called the hypothesis being 'hyped' and referred to clear evidence about the use of optical tools by, ., Albrecht Dürer and Leonardo da Vinci and others. As well the 1929 Encyclopædia Britannica  contains an extensive article on the camera obscura and cites Leon Battista Alberti as the first documented user of the device as early as 1437.  Ihde states abundant evidence for widespread use of various technical devices at least in the Renaissance and . in Early Netherlandish painting .  Jan van Eyck 's 1434 painting Arnolfini Portrait shows a convex mirror in the centre of the painting. Van Eyck also left his signature above this mirror,  showing the importance of the tool. The painting includes a crown glass window in the upper left side, a rather expensive luxury at the time. Van Eyck was rather fascinated by glass and its qualities, which was as well of high symbolic importance for his contemporaries.  Early optical instruments were comparatively expensive in the Medieval age and the Renaissance. 
Home | Aims & Scope | Editorial Board | Call for Papers | Author's Guidelines | Review Process | Current Issue | Processing Fee | Contact
The more foreboding and cautionary tale which increasing numbers of Western historians have offered in place of Turner's account has provoked sharp controversy. "New" Western historians -- many of whom actually echo and draw upon fairly old scholarly works -- often argue that their accounts offer a more inclusive and honest reckoning of the Western past. Western historians who still adhere roughly to Turner's approach accuse their opponents of mistaking a simple-minded political correctness for good scholarship in their quest to recount only the doom and gloom of the Western past. Often the rhetoric reaches an acrimonious crescendo. But in a sense, the very acrimony of these debates takes us full circle back to Turner and his legacy, for debates about the significance of Western history are hardly ever confined to the past. In our understanding of what we are as a nation, if on no other level, the Western past continues to define us today.